|
Lux perpetua
(click here
to hear a sample)
|
"evocative - contrasting the theme of peace and unity with the horrors of war, both fitting and shocking at a time when the world
could again be plunged into global conflict" - Patricia Harewood - Pride Magazine
|
|
"profound emotional impact - an effective and stirring piece" - BBC Music Magazine
|
|
"one of the best new pieces of modern music I have seen" - Michael Hoeg, MMA Journal
|
|
Magnificat
(click here
to hear a sample)
|
"melodious, rhythmical, colourful - expert in the understanding of voices" - Gramophone
|
|
"full of splendour and excitement" - ABCD magazine
|
|
"a vitality and expressiveness that is entirely its own" - Grainne Gormley, Association of Irish Choirs
|
|
Sing Praises
(click here
to hear a sample)
|
"a magnificent suite of Psalm settings - deserves a place alongside those by Stravinsky and Bernstein" - AAM magazine
|
|
"approachable, tuneful - uplifting and rhythmic" - Nicholas Bannan, ABCD Mastersinger magazine
|
|
"a real gem of a piece" - Choir and Organ
|
|
Christmas Pudding
|
"an absolute winner, everyone will want to perform it" - Gwyn Arch, choral director
|
|
"as a singer jaundiced by all those carols at Christmas, it was fantastic to sing twenty five of them within four
minutes!" - Deidre Strange, choir member
|
|
Christ is born
|
"vivacious rhythms and lovely melodies - I cannot recommend this too highly" - Church Music Quarterly
|
|
Great is the Glory
|
"a magnificent final climax of praise and glory" - Grayston Burgess, Choir and Organ
|
|
"in one word, brilliant - this work will be much sought after by choral groups" - Hickory Daily Record
|
|
Worcester Mass
|
"rich, full, demanding and rewarding - the Dona Nobis can only be described as ravishingly beautiful." - Richard Coffey, ACDA Magazine
|
|
Three sea shanties
|
"lively, witty - straight from the public bar!" - Mike Allen, Portsmouth News
|
|
Choral and Orchestral Conducting
|
"masterful musicianship - his spirit, friendliness and warmth were evident in the first few moments." - Kim Manzi, International Church Music Festival, Oberammergau, Germany
|
|
Elgar - Dream of Gerontius
|
"in total command throughout and secured from the chorus some lovely singing" - Chichester Observer. "a magnificent and moving performance" - Portsmouth Evening News
|
|
Handel - Messiah, London Mozart Players
|
"magnificent performance - imaginative and dramatic reading" - Claudia Sherwood, Hampshire Chronicle
|
|
Beethoven - Symphony no. 7
|
"In all my years of concert-going and in reviewing, I have never witnessed an ovation such as that given to Jonathan
Willcocks and the Southern Pro Musica." - Ann Pinhey, The Herald
|
|
Southern Pro Musica
|
" inspired to some of their finest playing, affectionate and lingering in Wagner's Seigfried Idyll and alert to every
detail in Beethoven's 8th symphony" - Tom Muckley, Petersfield Post
|
|
Omaha Symphony Chamber Orchestra
|
"a sublime insightful performance" - Kyle MacMillan, Omaha World Herald
|
|
From darkness to light
|
"set brilliantly and captivatingly, the orchestration is colorful and use of chorus unfailingly skillful" - Wayne Lee Gay, Star-Telegram, Texas
|